A Chink in the Armour

Film maker Baun Mah hilariously examines major Chinese Canadian stereotypes. Enjoy!

(be sure to fast-forward to minute 21 if you get bored!)

via Ernie at 8Asians.

What is Intelligence?

Just read a great review of a review of James Flynn’s What is Intelligence?. Over at Offsprung. Amanda Marcotte goes on to describe some of the best ways to use the long-used I.Q. test to refute racism rather than (supposedly) bolster it.

Basically, the Flynn effect of I.Q. scores (that each generation is testing better than the last), causes test makers to recalibrate the test every so often, throwing a wrench in the old racist stand-by. If the I.Q. test is constantly changing, then how can any of the racial-gap data be accurate?

Of course racists assume an I.Q. test is an unbiased tool to measure intelligence, so that any disparity from two or more arbitrarily chosen people (i.e., race categorized) must be the result of fundamental genetic racial difference on intelligence. There are so many holes in this argument, it’s amazing it keeps getting posited. And now, thanks to Flynn’s book, there’ a few more holes.

Hollywood Keeps the Status Quo

Ernie, from 8Asians.com, brought up the movie adaptation to the non-fiction book, Bring Down the House which is about how a bunch of MIT students figured out a way to beat the Las Vegas house. The film, entitled 21, stars hardly any Asian American actors in it, despite the fact that most of those who brought down the house, were in fact Asian Americans.

Here’s a chance for Hollywood to take the stand and cast some Asian American talent in non-stereotypical roles but do they? No, despite there being a very convenient Hollywood excuse: the story is based on true events. Here’s the money shot quote from The Tech, MIT’s newspaper:

Mezrich mentioned the stereotypical Hollywood casting process — though most of the actual blackjack team was composed of Asian males, a studio executive involved in the casting process said that most of the film’s actors would be white, with perhaps an Asian female. Even as Asian actors are entering more mainstream films, such as “Better Luck Tomorrow” and the upcoming “Memoirs of a Geisha,” these stereotypes still exist, Mezrich said.

The problem here is that Hollywood is conforming to marketability forces that it helped create. There’s no reason that Hollywood could shake the whole thing up and use their power and influence to create better imaging of Asian Americans and other people of color. The only reason they don’t? Racism. Pure and straight.